In the series «Les Paereideiza» the background landscapes play three roles simultaneously and imperceptibly. Deep, they allow the look to get lost, unlimited, always beyond. As for withdrawal, they highlight for us the carpets which Anouck Durand-Gasselin incorporates in her compositions.
Finally, they cover and reduce the «upside downs» and allow to design the photography as a real living organism.
What imagination results from the meeting of an actual location, nature, and this representation?
Serious subjects, cultural ones: imagination takes possession of these photographic images.
We are dealing with the poetry and the subversive shift between delicacy and realism of the genre scene.